“But you haven’t answered my question.”
“You mean WWDD?”
“Yeah, what would Dixie tell the boy?”
“I have a feeling she was a wild one; we just never knew it, except when she rode horses and did stuff like that, so that wildness would probably come out in what she told him. But she was also very polite.”
“So WWDD?”
“She’d probably tell him to go for it, but politely take shit off nobody.”
“So she’d cut you a new one politely. How’d that work?”
“Mostly flashing eyes did the work. The language and tone were always clean.”
“You were all in position to do that or worse what with the oil money back then.”
“That’s true; she was able to do a fair amount with her piece. Put a lot of it into breeding both here and in England. So we could tell the other breeders nicely to get lost.”
“Oil makes for politesse.”
“It did in Paris and London. I was looking through the trunks her nephew sent after she died and found a few drafts to Hogarth. She must have bankrolled some of it. And I saw a draft or two to a French Gallery. She must have been helping somebody out because she did not collect art.”
“Do you think she was really one of the girls?”
“Yeah, I do. She knew Gertrude Stein and Alice B. There’s a draft to Alice B in ‘61. She also knew Auden’s wife, Erika Mann. She once showed me a real chummy picture of her and Mann. Other stuff leads me to think this, too.”
“Hmm.”
“But when she came home, she came home. She had no bones to pick with anybody. I guess, like Auden, she could the leave the institutions alone and live her life. She did not have to wreck a church and be a bishop.”
“Did your mother know?”
“Yes, said as much. Dixie was family. She could always stay with us. Besides, the important bloodlines were on the ranch, especially after the oil decline.”
